Striped Seersucker Shirtdress

It may be apparent by now that I am an alliteration advocate. As much as I try to suppress my affection, there’s just something about starting a succession of words with the same alphabetical letter that tickles my fancy. Inadvertently, my new summer creation was an alliterative delight: a striped seersucker shirtdress !

Here’s how it began…

McCall’s 6891 Shirtdress

Originally purchasing this pattern to sew for a new Met production of Die Zauberflöte (which was subsequently canceled), it sat shelved, along with the yards of white chambray linen I bought for the project, without a hope except for the fact that I did very much like the pattern.

Nadine Sierra in Die Zauberflöte (Opéra National de Paris)

The idea of sewing a shirtdress never strayed too far from my mind, but it wasn’t until an issue of “Julie’s Picks” swatch club popped in the mail that the romanticized idea rose to the forefront as a planned reality. Could it have been a coincidence that the pattern suggestion for a dandy red stripe cream seersucker be none other than the McCall’s (reprinted as Butterick) shirtdress pattern I bought for the scrapped Met project ? Whether you believe in coincidences or not, I had my sign: I was making the dress !

“Julie’s Picks” July 2021 issue, Page 3

With this pattern being a Palmer and Pletsch design with extensive fitting instructions, I spent a good week perfecting the fit with the adjustment lines on the pattern tissue. My only substantial tweak was taking out ½ inch at the shoulder blade level to eliminate a gaping armhole in the back.

I wish there would have been more fitting tips besides the most common ones because I then needed to alter the sleeve pieces to compensate for the reduced armhole length. The attempt was in vain. As a result, my sleeve cap was gathered more than I had intentioned…

But, no matter !

The dress (a combination of Views C and D) turned out in tip top fashion and gave me the feel of a 1950’s waitress/housewife. I especially love the red “jelly” buttons that appear like hard candies on the peppermint stripe cotton.

I loved nearly everything about this dress: the American made fabric, the fit, the retro vibe, the color scheme… the list goes on. And while it wasn’t imperative that its descriptors start with the same letter, the fact that my striped seersucker shirtdress was an alliterative creation was just the icing on the cake.

Toi, Toi, Toi,

Mary Martha

Acoustic Eidolon

I was touched ─ I really was ─ when I was invited with a handful of others to a private concert being given at the clubhouse of a quaint little neighborhood community nearby. While different from my usual opera outings, I figured it would be a welcome change to expand my musical horizons. And for $15, it was a fair deal.
Consisting of a husband and wife duo, Acoustic Eidolon blends classicism with the folkloric adding a healthy smattering of rousing blues and lyric verses. Hannah, with her “chocolate” cello, played with both tenderness and gusto while at times accompanying the pieces with her angelic voice ─ sometimes in French. Hypnotic and melodic, she could justly be described as a siren without the impending danger.
Joe, simultaneously picking and strumming his inventive “guitjo” (a double-necked guitar with banjo capabilities), was the pragmatist ─ the frank one ─ of the two. Often times he would provide the punch line at the culmination of one of Hannah’s soulful stories such as the time when her cello was severely damaged during airport baggage handling. “United [Airlines],” Joe sneered with mock surprise. “But you probably knew that before I said it.” Snickers bubbled from the audience.
Their set list was unique. Joining covers of Simon and Garfunkel’s eerie “The Sound of Silence” and Queen’s stupendous “Bohemian Rhapsody” (their “opera piece”, Joe claimed) were original compositions from the couple’s various albums over the years including some with global flavors. In particular, my favorite of these was “One Ol’ Wreck”, a bustling bluesy tribute to Joe’s love of cars complete with Hannah’s uncannily realistic “honks” manufactured by the skill of her bow. It had my skinny stiletto tapping in time on the floor. Vroom, vroom !

Any event, no matter how small or informal, is an excuse to dress up for me. And that’s just what I did. During my opera off-season the previous year, I had made a handkerchief hem skirt using Vogue 7766.

Vogue 7766

Initially, I intended to use this pattern for my Valkyrie skirt, but aborted the idea in favor of an alternative approach. While the plan was jettisoned, the pattern was not and I was elated to have a chance to put it to good use, proudly outfitted in a bold striped sateen from Fabric Mart Fabrics. It mingled well as a dressier look: sheer gloves, glitter stilettos, and my mother’s classic Robert Scott sweater from the 70’s/80’s all coordinated in a chic statement.

Meeting Hannah and Joe after the concert was a treat ! They were personable and Hannah especially remarked on how much she appreciated my effort and style in fashion: “When I saw you walk into the room, I said to myself, ‘Now there’s a woman after my own heart ─ the shoes, the skirt, the gloves, the matching purse… !'” How could I not blush ? I was flattered.

Toi, Toi, Toi,

Mary Martha

For more information about Acoustic Eidolon, please visit their website !

Event: Acoustic Eidolon concert
Date: February 16, 2020