My Halloween Costumes From Years Past

Long before I ever started dressing up in costume for the operas, I spent much of my Septembers and Octobers surreptitiously slaving away in my small bedroom on my Halloween costume for the year. Unsurprisingly, Halloween is my favorite holiday ─ not because of witches and ghouls and black and orange décor, but simply because I have always loved dressing up.

In the spirit of the season, I thought I would share some of my past outfits.

Before learning to sew on a machine, I had to rely on tape, garbage bags, and old sheets to create costumes. In 2013, newspaper was my material of choice…

I went as “Old News” ─ quite literally since all the newspaper used was out of date before the 31st dawned. This costume was well worn: in all, I slipped on the tiered skirt and laced up the “corset” bodice 7-8 times during the season. Thankfully, it never rained.

I love history. It’s an engaging escape for my antiquarian imagination. I also love to learn about the famous (and infamous) characters in history. Not knowing exactly what inspired it, I chose to be Marie Antoinette in 2014. The peruke and panniers were a crafting feat; both were constructed from plastic grocery bags and toilet paper rolls, but that’s where the similarities ended. Long stretches of white cotton were carefully hot glued to the cardboard “curlers” of the wig and then given a misting of watered gray paint. I crocheted the hairy tendrils.
For years I kept the safety pinned skirt of tulle and sheets in a desolate drawer… until I realized that I was never going to wear flimsy cardboard panniers again and my mother wanted her sheets back. “Let them eat cake !”

In the same month that I was introduced to my first opera, my family went on a cruise ! Who would have thought that that cruise would wipe out 2½ months of social activities ? Yes, I came down with a horrible illness during the tail end of the trip that caused me to miss Tannhäuser in HD and Halloween 2015…

Emerald Princess docked in Cozumel

With a new love came a new passion as I taught myself to sew for Madama Butterfly in 2016.

I promise, my hair wasn’t so much a knotted mess when I actually went trick-or-treating…

It’s always great when an opera outfit seamlessly doubles as a Halloween costume. My Queen of the Night getup from Die Zauberflöte was a timely hit…

…as was my Egyptian costume from Aida ! Not only was this costume commenced and completed in under a month, but it was also worn within an hour of arriving home from the matinee encore performance of La Fanciulla del West.

A Gold Rush Girl by day, Cleopatra’s doppelgänger by night… it was a whirlwind Halloween.

Brünnhilde the Valkyrie… Is there anything spookier than a mythical being whose primary purpose is to decide who lives and dies in battle and gathers up the fallen heroes to haul them to Valhalla ???

And just in case you’re wondering, I left my axe at home for the evening…

In all my years of dressing up, I don’t think I ever disguised myself as a princess; maybe a witch in a long, black gown or Miss America, but never a princess. The plush pink 1890’s ball gown from Manon was my outlet for elegance and grace, living out every little girl’s fantasy.

Clearly my long-time love of dressing up has played a starring role in my life. The only question left is… what will I wear this Halloween ?

Happy Halloween !

Toi, Toi, Toi,

Mary Martha

Adriana Lecouvreur

It has been quipped that in order to perform Adriana Lecouvreur successfully, real-life divas must be cast. Art must imitate life and despite thrilling drama and chest-heaving music, the current stock of bona fide divas is rather sparse. Therefore, Adriana Lecouvreur remains mostly on the shelf of the operatic repertoire. However, the Met assembled a perfect bill of spectacularly strong singers for the star-studded Live in HD broadcast. The heat was on !

Piotr Beczała as Maurizio and Anna Netrebko as Adriana Lecouvreur / Metropolitan Opera

Sir David McVicar’s elegant production embodied the powder and pomp of 18th century French theater. With a bust of Molière gracing the stage like a god watching and listening in silence to his progeny perform, one could almost immediately grasp the nucleus of the opera: no one is faithful to anyone in love.

A scene from Adriana Lecouvreur / Metropolitan Opera

A love triangle with deadly stakes, my brain was twisted in two trying to unravel the deception of it all. But probably the most anticipated of all the action was the impending battle between Anita Rachvelishvili and Anna Netrebko. This was to be Round 2 of the Anna vs. Anita vocal boxing match ─ the first occurring in Aida just a few months prior.
“They bit, they glared, gave blows like beams, a wind went with their paws;” to quote from the famed poem by James Leigh Hunt… I loved every moment of it !

Anita Rachvelishvili as the Princess of Bouillon, Ambrogio Maestri as Michonnet, and Anna Netrebko as Adriana Lecouvreur / Metropolitan Opera

While the plot twists and intrigue of the opera were at times difficult to untangle, my 18th century gown was anything but a chore, which surprised even me !
Using the Simplicity 4092 pattern that included pocket hoops for support of a proper silhouette (a terrific perk to Andrea Schewe’s delightful design), I made the featured gold version on the envelope (B), and began working on my Rococo-inspired gown as the very first project on my brand new Baby Lock sewing machine and serger.

Simplicity 4092 / Designed by Andrea Schewe

But the real secret to such a regal gown without breaking the bank on luxurious silks and brocades is that I used extra wide width polyester curtain fabric, which significantly cut down on the costs of materials. (Can someone say, “Scarlett O’Hara” ?) According to the pattern instructions, the gown called for close to 5 yards of fabric. However, with the 3+ meter width of the green and gold floral damask upholstery material I used, I only needed to purchase 2 yards (2 yards @ 120 inches wide ≈ 6 yards) in addition to 1 yard of a contrasting cream material for the stomacher and underskirt. Instead of spending over $100 on standard width material (54-60″), I rounded my totals to just under $33, minus the shipping costs ─ what a steal !

My alterations were few: I lowered the neckline slightly in order to achieve the peeking bosom look of the era as well as slimming down the sleeves to fit more snugly. Bows were a must and frilly trims, too. But the bow pattern that was included in the packet was much too “cartoonish” in its original format for my taste, so I reworked those to better suit the width of the front stomacher. They were so cute !

And check out the pocket hoops ! Although not as wide as traditional panniers, they provided just the right “oompf” to the pleated skirts of the gown.

Perfectly fashioned in the 18th century style, my mother had the task of arranging my hair. Didn’t she do a great job ? It reminded me of Belle from the ballroom scene in “Beauty and the Beast”.

This was a fabulous gown worn to an equally glamorous opera with captivating historical backstories ! Marie Antoinette would’ve been proud.

Toi, Toi, Toi,

Mary Martha

Cast and Credits:

Adriana Lecouvreur ─ Francisco Cilea (1902)
Live in HD air date: January 12, 2019

Cast:
Adriana Lecouvreur ─ Anna Netrebko
Maurizio ─ Piotr Beczała
Princess of Bouillon ─ Anita Rachvelishvili
Michonnet ─ Ambrogio Maestri
The Abbé ─ Carlo Bosi
Prince of Bouillon ─ Maurizio Muraro

Credits:
Conductor ─ Gianandrea Noseda
Production ─ Sir David McVicar
Set Designer ─ Charles Edwards
Costume Designer ─ Brigitte Reiffenstuel
Lighting Designer ─ Adam Silverman
Choreographer ─ Andrew George
Associate Director ─ Justin Way
Live in HD Director ─ Gary Halvorson
Host ─ Matthew Polenzani