Indian Ribbon Dresses for the Powwow

During my “off season” of opera sewing (summer), I work on paid commissions, which range from basic necessities to uncharacteristic requests. In the summer of 2021, I was approached by my dear friend, Faith, and her mother to make three Indian ribbon dresses for Faith’s daughters, Hope and Ruby, and their cousin, Grace. The Native American heritage is an important aspect of Faith’s family and I was happy to do it ─ starting next summer. My schedule was booked for the season and my soonest available start time would be June 2022. Keeping that promise, I set my course for uncharted territory once Lucia wrapped in late May.

Indian Ribbon Dresses

When trying to envision how the dresses would look, I didn’t have a clue and I certainly didn’t want to go against the norms of cultural standards. I quizzed Faith extensively. Throughout the process, she was cooperative and sent me many pictures of what the dresses were supposed to look like. Since the design details were the choice of the family, Faith asked for the bodices to be stretchy (shirred) so that the girls could grow into them.

The shirred dress Faith sent me as an example

Looking for shirred bodice patterns online led me to Sew Jahit’s free tutorial with shirred straps.

Sew Jahit’s Shirred Bodice

Confession: I had never shirred a piece of fabric in my life !! With gulps of trepidation, I determined it would be best to send mock-ups so proper sizing could be assessed and to also give shirring a trial run. Haplessly, I ran out of muslin during the cutting process so scrap fabrics had to be substituted. Here’s Hope’s mock-up with sleeve variations…

And here’s Hope wearing it…

Grace and Ruby’s mock-ups followed the same procedure…

The pictures of the girls in their mock-ups sent me into risible fits: they looked like ragamuffins begging for alms in the street with their motley ensembles ! Despite the shabby appearance of the stand-in dresses, the mock-ups accomplished their purpose as I was able to fine tune the pattern measurements for the girls. Onto the real dresses !

I chose to use cotton batik fabric as the base for the dresses. With slight color variations and subtle patterns, it allowed for a more “textured” look and promised an added dimension to the largely plain areas of the dresses. Faith and her sister, Angel, had made a list of the colors of ribbons they preferred and together we worked to come up with the best and most culturally relevant schemes.

Working on the color schemes for the dresses

Sewing for a long distance client has a way of setting me on tenterhooks since I have no way of fitting and measuring in person. After much back-and-forth of sending pictures on Facebook Messenger, the dresses were completed and now it was time to ship them off to Idaho… Would they fit ?

I think that’s a “yes !”

The dresses were a perfect fit and the girls were able to go to the powwow in style.

Designing dresses for these girls was such a joy as they are tûtawi’u’ (that’s Pawnee for “full of life”). And they’re just adorable. Don’t you agree ?

Toi, Toi, Toi,

Mary Martha

Les Pêcheurs de Perles

Set in a modern day Ceylon, the Met’s new revival of Bizet’s Les Pêcheurs de Perles was a delightfully exotic romance of uncharacteristic story standards. Penny Woolcock’s production perfectly mingled the secular with the sacred, the grime with the gilt, and enchanted me from start to finish.
The shanty fishing village with its rickety cardboard and tin hovels added a realistic element to the production as did the mix of costumes on the chorus members: while some were dressed in filthy baseball caps and torn overshirts, others bedecked themselves in saris and turbans, just as Southeast Asian tradition dictates.

A scene from Bizet’s Les Pêcheurs de Perles / Metropolitan Opera

This opera was a beautiful escape from start to finish. The music perfumed the theater and left a trailing scent as the curtain descended. I especially loved the enchanting tenor/baritone duet, “Au fond du temple saint”.

Matthew Polenzani and Mariusz Kwiecien sing an excerpt from “Au fond du temple saint” / Metropolitan Opera

While the romance of The Pearl Fishers may have started as a typical opera love triangle, the ending was anything but conventional: the man who kept his promise and was faithful to his honor lost everything and the traitorous one, escaping death with the defiled priestess, made out like a bandit. All elements combined, I loved this opera so much that I went to see the encore showing the following Wednesday.

Diana Damrau as Leïla in Les Pêcheurs de Perles / Metropolitan Opera

My outfit is one crafted from my closet. Modeling in front of my bedroom mirror, I experimented with different scarves and skirts to come up with an Indian subcontinent look.
Layer upon layer the outfit built itself into a makeshift “sari” that was instantly recognizable by its onlookers. (Weeks after The Pearl Fishers encore, I once again stepped into the far off theater location for the encore showing of Turandot. There I was greeted with inquisitive queries from strangers of vague familiarity: “Were you the one dressed as the Indian the last time ?”)

Of course, I knew I needed to accessorize with gobs of pearls in every shape and size, but also rings of topaz and bangles of gold. The crowning touch was my matha patti headpiece, which was reworked from a cheap, broken necklace.

I think my favorite aspects of this outfit are the ones that came from far away lands ─ the teal and aqua fringed pashmina wrap was bartered at a local market in Afghanistan while the cowrie shell necklace traveled from Tanzania (thank you, Uncle Kim, for the precious gifts !). Just think ─ the shells around my neck came from the Indian Ocean, just like the pearls in the opera !

Toi, Toi, Toi,

Mary Martha

Cast and Credits:

Les Pêcheurs de Perles ─ Georges Bizet (1863)
Live in HD air date: January 16, 2016

Cast:
Leïla ─ Diana Damrau
Nadir ─ Matthew Polenzani
Zurga ─ Mariusz Kwiecien
Nourabad ─ Nicolas Testé

Credits:
Conductor ─ Gianandrea Noseda
Production ─ Penny Woolcock
Set Designer ─ David Bird
Costume Designer ─ Kevin Pollard
Lighting Designer ─ Jen Schriever
Projection Design ─ Fifty Nine Productions
Live in HD Director ─ Matthew Diamond
Host ─ Patricia Racette