Wagnerians in Concert

Over the years, I have found that the more I am exposed to Wagner, the more I love it. It’s complex, lush, and completely absorbing if given the right circumstances. Thankfully, I’m not the only one who harbors a cultish hankering for Wagnerian music. And so, off to Chris’s we go for another Met Stars Live in Concert series !

Broadcast live from the Hessisches Staatstheater in Wiesbaden, Germany, the grand foyer proved to be one of the most gorgeous settings for a concert with the lighting shifting to fit the mood of each song. Although the program was not entirely Wagnerian (a thimbleful of R. Strauss was thrown into the mix), the quartet of Elza van den Heever, Christine Goerke, Andreas Schager, and Michael Volle made the most of the arias and duets… and the staircases ! There was a choreographed sequence of how the singers would enter and exit to avoid cutting into the next performance all while capitalizing on the thespian potential of the Neo-Baroque architecture.

The Hessisches Staatstheater in Wiesbaden, Germany

The greatest (and most accurate) of these tableaux came during the penultimate number with Elza van den Heever and Christine Goerke acting out the duet from Act II of Lohengrin, complete with balcony betrayal. Juicy !

The Cuisine

Our afterparty fare was a European hodgepodge of Gruyère and Bleu, open faced canapés, sauerkraut salad (similar to Korean kimchi), Riesling, and… banana bread. Well, it was almost European.

The recipe for the banana bread is an adapted version of Cookie and Kate’s Whole Wheat Banana Bread with maple syrup as the sweetener (and butter in place of the oil). For years it has been one of my go-to staples for a “No White Flour, No White Sugar” treat. Thanks, Kate !

The Clothes

In thinking of a Wagnerian-inspired outfit, several elements came to mind:
1) Medieval gowns with long, wide sleeves
2) Knights in chainmail
3) Leather, lots of leather

Each of these characteristics can usually be observed during a typical Wagnerian opera. However, I wanted to create a more modern look and sought to avoid the following fashion pitfalls insomuch as looking like a:
1) Gothic punk
2) Biker
3) Cosplayer

A challenge, indeed. Leaving the angel sleeves behind, the rest of my outfit gave me just the right combination of Wagnerian features with a completely modern appeal.

The outfit and the concert were a terrific celebration and reminder of why I enjoy Wagner so much: drama and beauty intertwined as the complete work of art.

Toi, Toi, Toi,

Mary Martha

How exactly did I create my sequin tunic ? The answers can be found in my accompanying tutorial post: http://costumeclosetcouture.com/2021/05/29/sequin-mail-drafting-a-cowl-neck-chainmail-tunic/

Cast and Credits

Wagnerians in Concert
Hessisches Staatstheater
Wiesbaden, Germany
Live broadcast date: May 8, 2021
(Date seen: May 20, 2021)

Elza van den Heever ─ soprano
Christine Goerke ─ soprano
Andreas Schager ─ tenor
Michael Volle ─ bass-baritone
Craig Terry ─ piano

Idomeneo

The brainchild of a 24-year-old Mozart in the spring of his career, Idomeneo embodies drama and torment on an intense scale. A Trojan captive bemoans her plight of wartime displacement. A runaway Grecian princess seethes with humiliation and jealousy from unrequited feelings. A father and king, crossed between the angry seas ─ and even angrier gods ─ suffers from the anguish of the cruel task that besets him.

A scene from Mozart’s Idomeneo / Metropolitan Opera

While the basis of the plot was heavy ─ the title king, after being saved by the gods during a disastrous storm at sea, must kill his own son as recompense ─ the music was quite the opposite. Comprised of a windswept coterie of strings and woodwinds, the score was typically Mozartian and showed the beginnings of his lauded career. Singing the trills of early Mozart was made to look easy as Matthew Polenzani gave a stirring performance as the king. His voice was unhampered, but his soul was not.

Matthew Polenzani singing an excerpt from “Fuor del mar” from Idomeneo / Metropolitan Opera

The women provided for some much needed romantic rivalry to break up the repetitious monotony of the staid opera seria format. It’s true─ the opera was far too longwinded and soporific for my withering patience as I reached my home well after 6 that evening. At least the textured costumes and the spastic mad scene provided ample attraction and distraction from my jadedness.

Loosely based on the lace and jewels of Elettra’s gown, I snagged a favorite from my mother’s closet and made a simple alteration. The bright blue dress, being 8 sizes too big for me, would have swamped my figure more than the devouring seas of Idomeneo. A simple fix, I ran a line of baste stitches up the back of the dress and, voilà ! The dress fit. My mother was horrified with my action, let me tell you, but I assured her the stitching could easily be removed as I promptly pulled out the threads after the opera was over and the pictures captured.

My headpiece was a borrowed transformation. Previously, the black glittered tiara sported red rhinestones along the top points and an attached piece of black lace.

Thank you, Aunt Countess !

First popping out the red rhinestones, I replaced them with standard white ones and added gold fan sequins for seaside flare. They coordinated with my dress and the mantilla was beautiful enough for a princess. In case you were wondering, I removed all the sequins and replaced the original red jewels before I returned the accessory to its rightful owner.

Isn’t that necklace fabulous ? It’s a Metropolitan Museum of Art (also affectionately nicknamed “the Met”) replica given to me as a present from Aunt Countess. I cherish gifts from travels afar, much like the shell necklace and pashmina shawl that I wore to The Pearl Fishers the previous year. While New York City isn’t as far-flung as ancient Crete, the necklace made a statement worthy of Elettra’s tempered fury and Mozart’s fledgling opera.

Toi, Toi, Toi,

Mary Martha

Cast and Credits:

Idomeneo ─ Wolfgang Amadeus Mozart (1781)
Live in HD air date: March 25, 2017

Cast:
Idomeneo ─ Matthew Polenzani
Idamante ─ Alice Coote
Ilia ─ Nadine Sierra
Elettra ─ Elza van den Heever
Arbace ─ Alan Opie

Credits:
Conductor ─ James Levine
Production ─ Jean-Pierre Ponnelle
Set and Costume Designer ─ Jean-Pierre Ponnelle
Lighting Designer ─ Gil Wechsler
Live in HD Director ─ Barbara Willis Sweete
Host ─ Eric Owens