My Halloween Costumes From Years Past

Long before I ever started dressing up in costume for the operas, I spent much of my Septembers and Octobers surreptitiously slaving away in my small bedroom on my Halloween costume for the year. Unsurprisingly, Halloween is my favorite holiday ─ not because of witches and ghouls and black and orange décor, but simply because I have always loved dressing up.

In the spirit of the season, I thought I would share some of my past outfits.

Before learning to sew on a machine, I had to rely on tape, garbage bags, and old sheets to create costumes. In 2013, newspaper was my material of choice…

I went as “Old News” ─ quite literally since all the newspaper used was out of date before the 31st dawned. This costume was well worn: in all, I slipped on the tiered skirt and laced up the “corset” bodice 7-8 times during the season. Thankfully, it never rained.

I love history. It’s an engaging escape for my antiquarian imagination. I also love to learn about the famous (and infamous) characters in history. Not knowing exactly what inspired it, I chose to be Marie Antoinette in 2014. The peruke and panniers were a crafting feat; both were constructed from plastic grocery bags and toilet paper rolls, but that’s where the similarities ended. Long stretches of white cotton were carefully hot glued to the cardboard “curlers” of the wig and then given a misting of watered gray paint. I crocheted the hairy tendrils.
For years I kept the safety pinned skirt of tulle and sheets in a desolate drawer… until I realized that I was never going to wear flimsy cardboard panniers again and my mother wanted her sheets back. “Let them eat cake !”

In the same month that I was introduced to my first opera, my family went on a cruise ! Who would have thought that that cruise would wipe out 2½ months of social activities ? Yes, I came down with a horrible illness during the tail end of the trip that caused me to miss Tannhäuser in HD and Halloween 2015…

Emerald Princess docked in Cozumel

With a new love came a new passion as I taught myself to sew for Madama Butterfly in 2016.

I promise, my hair wasn’t so much a knotted mess when I actually went trick-or-treating…

It’s always great when an opera outfit seamlessly doubles as a Halloween costume. My Queen of the Night getup from Die Zauberflöte was a timely hit…

…as was my Egyptian costume from Aida ! Not only was this costume commenced and completed in under a month, but it was also worn within an hour of arriving home from the matinee encore performance of La Fanciulla del West.

A Gold Rush Girl by day, Cleopatra’s doppelgänger by night… it was a whirlwind Halloween.

Brünnhilde the Valkyrie… Is there anything spookier than a mythical being whose primary purpose is to decide who lives and dies in battle and gathers up the fallen heroes to haul them to Valhalla ???

And just in case you’re wondering, I left my axe at home for the evening…

In all my years of dressing up, I don’t think I ever disguised myself as a princess; maybe a witch in a long, black gown or Miss America, but never a princess. The plush pink 1890’s ball gown from Manon was my outlet for elegance and grace, living out every little girl’s fantasy.

Clearly my long-time love of dressing up has played a starring role in my life. The only question left is… what will I wear this Halloween ?

Happy Halloween !

Toi, Toi, Toi,

Mary Martha

Così fan tutte

“All women are like that…” so says the cynical Don Alfonso to his naïve friends as he demonstrates the fickleness of the fair sex… But is the assumption ─ that women are bound to stray from their lovers if given the chance ─ an accurate claim ?

While sometimes considered outdated for modern society, Mozart’s piquant comedy about the test of fidelity through trickery was nothing but a delight to me. Lesley Koenig’s picturesque production was understated and elegant and the cast was just as pretty, especially the two lovestruck sisters, Fiordiligi and Dorabella, played by Susanna Phillips and Isabel Leonard. With their dark brown hair and fair complexions, it wasn’t a stretch to believe them to be blood relatives.

Isabel Leonard as Dorabella and Susanna Phillips as Fiordiligi in Così fan tutte / Metropolitan Opera

Their fiancés were adorable. Ferrando and Guglielmo (such strange names in this opera ─ Fiordiligi, Guglielmo…) were so smitten with the sisters that their giggles and giddiness reminded me of teenage boys with their first crush. Even while disguised as Arab sheikhs their bubbling enthusiasm for their sweethearts couldn’t be stifled.

Danielle de Niese as Despina, Matthew Polenzani as Ferrando, Rodion Pogossov as Guglielmo, and Maurizio Muraro as Don Alfonso in Così fan tutte / Metropolitan Opera

The thalassic score accompanied the harmonious singing like a sigh floating on a breeze and the lighthearted moments of comedy were balanced with some introspective seriousness. If I had one complaint about Così, it’s that it’s a tad too long: I walked out of the theater just after 11 p.m. from a 7 p.m. start time. However, the decision to travel over an hour and a half to catch the summer encore of Così fan tutte was well worth the late evening drive.

A scene from Così fan tutte / Metropolitan Opera

Since Così is a cute, zany opera, I thought a dress of a similar description would be the perfect outfit for the summer encore. Best of all, I didn’t have to look beyond my mother’s closet for the answer. Like me, my mother used to sew many of her clothes and thankfully she has kept nearly all of her dresses and jumpers from the 1970’s and 80’s. One of my favorites is the black and white polka dot dress with dropped waist and puff sleeves that fits me well. I even found the original pattern in the worn, bulging cardboard pattern box… Dress #2 at the bottom of the envelope was obviously the intended look my mother desired…

Simplicity 9446 circa 1989

Keeping it classy with pearls, long gloves, and a ladylike chignon, I was decked out for the escapades of Mozart’s Battle of the Sexes.

The opera’s finale was a happy one and the men married their betrothed. But back to the all important question: were the women faithful to their fiancés ? No. Did I care ? Hardly ! All’s well that ends well ─ the opera was too charming not to forgive and forget.

Toi, Toi, Toi,

Mary Martha

Cast and Credits:

Così fan tutte ─ Wolfgang Amadeus Mozart (1790)
Live in HD air date: April 26, 2014
(Encore seen: July 21, 2016)

Cast:
Ferrando ─ Matthew Polenzani
Guglielmo ─ Rodion Pogossov
Fiordiligi ─ Susanna Phillips
Dorabella ─ Isabel Leonard
Don Alfonso ─ Maurizio Muraro
Despina ─ Danielle de Niese

Credits:
Conductor ─ James Levine
Production ─ Lesley Koenig
Set and Costume Designer ─ Michael Yeargan
Lighting Designer ─ Duane Schuler
Stage Director ─ Robin Guarino
Live in HD Director ─ Gary Halvorson
Host ─ Renée Fleming