Lise Davidsen and Jonas Kaufmann Sing “Die Walküre” in Concert

What happens when the world’s most sought-after tenor teams up with the world’s fastest rising opera star ?

Magic.

In a gem of a casting bill, Lise Davidsen and Jonas Kaufmann performed a concert version of Act I of Wagner’s Die Walküre live from the Bayerische Staatsoper… and I had a front row seat !

The singers, who were at the top of their game, gave a performance that was as riveting as it was raw. Never once did I espy a break from character and the visual display of the revved up orchestra was a treat on its own. While each participant was exceptional, the real sparkler was Lise Davidsen. By the end of the final duet, my friends and I erupted into living room applause with an uncontrollable flood of “Brava !” And who said opera was boring ?

The Cuisine

A summer concert called for summer fare and I knew of the perfect dish: Ina Garten’s Guacamole Salad ! Years ago, my mother would make this recipe and add corn kernels to increase the color, texture, and flavor. The salad’s fresh ingredients are the key: avocadoes, bell peppers, grape tomatoes, red onion, and black beans all tossed in a zingy lime marinade. “How bad can that be ?

Chris added to the table a plate of select cheeses and fruit and we all dove in with chips and crackers to our summer repast.

Of course, we couldn’t do without our sip of champagne…

Or cookies ! I baked a “No White Flour, No White Sugar” batch of Ina Garten’s Raisin Pecan Oatmeal Cookies, which were probably more addictive than the regular way.

The Clothes

Thinking of a classical music concert brought to mind the solid black attire worn by the orchestra. It’s traditional and very sophisticated. As it so happened, I knew just what I would wear and didn’t have to go any farther than my mother’s closet.

Thank you for the shoes, Lynne !

While the dress is beautiful and classy on its own, there’s a greater story behind its black crepe and cutout detail. In 1986, my mother wore this same dress to a Christmas party at a Country Club and for as long as I can remember the photo from the occasion has graced our walls.

It’s clear that my mother’s Christmas dress from the 80’s has stood the test of time. So has Wagnerian opera… and Jonas Kaufmann ! And if the performance at the Bayerische Staatsoper was any indication of future success, Lise Davidsen should be joining the ranks, after a storied career, as one of the great Wagnerians in history.

Toi, Toi, Toi,

Mary Martha

Cast and Credits:

Die Walküre (Act I) concert production
Richard Wagner
Bayerische Staatsoper
Munich, Germany
Live broadcast date: May 13, 2021
(Date seen: June 14, 2021)

Asher Fisch ─ Conductor

Lise Davidsen ─ Sieglinde
Jonas Kaufmann ─ Siegmund
Georg Zeppenfeld ─ Hunding

Die Walküre

I couldn’t have asked for a better opera for my first outing of Wagner: from Bugs Bunny to WWE wrestler walk-up music, Die Walküre‘s fame and legacy permeates all realms of music and culture. Who hasn’t heard the irresistibly iconic “Ride of the Valkyries” or been amused by the warrior women with braids and Viking helmets ?

Part of an epic tetralogy know formally as “Der Ring des Nibelungen”, Die Walküre explodes with mythological drama and some of the most involving music ever written. Ever since I began attending operas, I’ve always heard mentions of Wagner’s “engrossing” music and how spectators loose track of time while taking in a performance, despite the harrowing length of most of Wagner’s works. Knowing this, I was a little apprehensive about how I would fare at my first Ring opera.

Jamie Barton as Fricka, Greer Grimsley as Wotan, and Christine Goerke as Brünnhilde in Die Walküre / Metropolitan Opera

I shouldn’t have been worried ─ I loved Die Walküre and was hooked on the Ring Cycle ! While the layered story dipped into several previous arcs that occurred in Das Rhinegold (the first opera in the tetralogy), I found I was able to keep pace with the action and inevitably slipped into that intoxicating Wagner “trance”. Brutish warriors and incestuous twins aside, there were greatly tender moments as well. The final farewell between Wotan, the flawed God of Valhalla, and his disobedient Valkyrie daughter, Brünnhilde, nearly sent my mascara running !

Greer Grimsley as Wotan and Christine Goerke as Brünnhilde in Die Walküre / Metropolitan Opera

What is a ‘Valkyrie’ anyway ? In reading up on Norse mythology, I learned how Valkyries were immortal female fighters who aided in the battles among men on earth and safely carried the fallen heroes to Valhalla where they would live and serve Wotan in happiness. Although generally styled as Viking women with horned helmets and long braided pigtails, the Met’s Robert Lepage production has altered the women’s accoutrements to have filigreed chrome wings mounted to diadems and textured skirts of a metallic mylar material. As a costume that would unmistakably smack of cosplay, I set out to replicate the shiny scaled armor bodices and flashy skirts of the Met’s fearless Valkyries.

A scene with the Valkyries: Christine Goerke as Brünnhilde and Eva-Maria Westbroek as the Wälsung, Sieglinde / Metropolitan Opera

Sourcing the materials was the first step. Initially, I thought of using a spangle sequin fabric for the chain mail bodice, but decided against it in favor of hand cutting my “scales” out of versatile silver pleather for a more authentic look. In order to use my hot knife on the pleather, I needed a stencil and a sturdy one at that ! A branding pen devours paper like the flames of Brünnhilde’s bridal fire ─ I transferred my paper patterns onto an empty soda can and burned both pleather and black matte satin using their forms.

With long lengths of scalloped scales simultaneously cut and sealed, I sewed them alternately onto a princess bodice I drafted to fit my figure using patterns from the Corset Academy. Wax paper was the saving grace while stitching sticky, scrunching pleather…

Wax paper stitched on top of the pleather

Just a note─ I don’t suggest making a lining out of heavy polyester satin, especially if you live in hot and humid climates like I do. While I could quell my mascara from running down my cheek, the sweat down my spine I could not. The bodice was a polyester sauna !

Bodice lined, boned, and topstitched along seams

One of the most distinguishing features of the costume was the lofty pair of wings, glinting in the flashes of battle. Using pictorial resources available on the web (particularly, Deborah Voigt’s portrayal), I drew a freehand version of the openwork wing on paper and transferred it onto a thin cardboard cereal box to be spray painted later.

Deborah Voigt as Brünnhilde / Metropolitan Opera
The paper wing stencil

Once the wings were painted, they were affixed to a pleather covered foam diadem. Wrist cuffs out of the same foam/pleather combination anchored the tapered ends of the fishnet mesh sleeves. All that remained was the skirt, which was created from steely stretch taffeta by a series of angled half circles formed into a wrap style. The costume was finished and I was ready to take flight as a Valkyrie !

In spite of the poor choice of lining material, wearing this costume was a thrill ! After all, how many people can claim that they’ve been a Valkyrie ? This outfit also doubled as my Halloween costume for the year and just as at the theater, it sparked otherworldly interest.

“Hojotoho !”

Toi, Toi, Toi,

Mary Martha

Cast and Credits:

Die Walküre ─ Richard Wagner (1870)
Live in HD air date: March 30, 2019

Cast:
Brünnhilde ─ Christine Goerke
Sieglinde ─ Eva-Maria Westbroek
Fricka ─ Jamie Barton
Siegmund ─ Stuart Skelton
Wotan ─ Greer Grimsley
Hunding ─ Günter Groissböck

Credits:
Conductor ─ Philippe Jordan
Production ─ Robert Lepage
Associate Director ─ Neilson Vignola
Set Designer ─ Carl Fillion
Costume Designer ─ François St-Aubin
Lighting Designer ─ Etienne Boucher
Video Image Artist ─ Boris Firquet
Live in HD Director ─ Gary Halvorson
Host ─ Deborah Voigt